Captain Fantastic (2016): Film Review
First things first: this is not a comedy. It’s funny in
parts, but it’s not ‘dark comedy’ or ‘absurdist comedy’ or any of those other
variants often touted out when they really mean ‘indie movie with artistic
pretentions’.
What it is though is an at-all-times interesting tale about
a grieving husband (played admirably by Viggo Mortenson) and his ragtale bunch
of home-schooled warrior children (all equally brilliant in their respective roles)
on a mission to rescue the body of their dead mother from her Christian parents
to cremate her in accordance with their wishes.
Captain Fantastic (2016) |
While the premise is quirky enough to set your indie feelers
tingling, the backstory is what gives it character: the kids have all been born
and raised isolated from conventional society- in a remote farm when they were
young and since then in their own little private settlement in a forest. Every
day, they wake up and train themselves to scale mountains and hunt wild game
and incapacitate human attackers. As Papa Fantastic puts it, their physical fitness
would put the world’s most elite athletes to shame.
It’s not just their muscles that get the daily workout
either. When they’re not skinning animals for cardigans or breaking into impromptu
jams (they’re all virtuoso musicians as well), they’re walking talking Wikipedia
pages on any topic under the sun- communism, the black plague, the bill of
rights, you name it.
This sort of Coming-To-America set up should guarantee at
least a few guffaws when the family comes into contact with the outside world,
if not a few great insights into the naturalism vs consumerism debate. But
Captain Fantastic does neither because it tries too hard to do both. Especially
in one cringe-worthy family rendition of Sweet Child O' Mine around their
matriarch’s funeral pyre.
Either that, or the film makers bought into their own
message so thoroughly that they felt it would be beneath themselves to even argue
their case. The result is that the only argument Captain Fantastic seems to
pose against consumerism is the movie itself- “hey, look what can be done when
a movie is not made on a big studio budget!”. The best thing about Captain Fantastic, as I
mentioned in the beginning, is that it is, at all times, interesting. The irony is that ‘interesting’ is the one word banned
in the Fantastic household. ‘Interesting’ is, as their captain puts it, a
non-word: it doesn’t express how the speaker feels. Well neither does the movie.
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